Julie Wilson at the Copa Part 2

Julie Wilson at the Copa Part 2:

Julie & Frank

 

Phil Silvers Julie Wilson Bilko 1958 at the Copa

Phil Silvers Julie Wilson Bilko 1958

 

Julie continued to work at the Copa for roughly two years.  It was during that time that she made connections with several show business icons who would become longtime friends and supporters, including both Frank Sinatra and Phil Silvers.  The big song that Julie was doing, as part of the ensemble, in the Spring and Summer of 1946, was a South American-styled novelty titled “The Coffee Song.”

“And there was a boy singer, with me too,.  We introduced ‘They’ve Got an Awful Lot of Coffee in Brazil.’ That was our big song. And Sinatra came in and he loved that song, and he recorded it and made a million.” (Sinatra famously recorded it twice, in 1946 as a 78 RPM single for Columbia Records,  and again in 1961 for his album Ring-a-Ding-Ding.)

“The Coffee Song” would be the most famous number to emerge from Julie’s tenure at the Copa, but the single most memorable incident is, in fact, one of the most famous nights in the history of American nightclubs.  In September, 1946, the big opening of the Fall was set to be the team of Phil Silvers and “Rags” Ragland (real name: John Lee Morgan Beauregard Ragland).  As is well known, Silvers, who went on to a long career on Broadway and television, was a fast talking, highly-verbal comic; Ragland’s style was contrastingly slower and more physical.  They fell into the familiar vaudeville pattern of a sharpie and a stooge.

A lot was riding on the team’s September 1946 opening at the Copa, but to everyone’s horror, Ragland died unexpectedly of uremia only about two weeks prior.  Silvers had decided to go on as a solo act, but was nervous and frightened without his partner.  He asked his longtime friend Frank Sinatra to help, but Sinatra was contractually obligated to stay in Hollywood, where he was filming his latest MGM movie, titled It Happened in Brooklyn (despite the title, it was actually being shot in Culver City, California). At the last minute, Sinatra, who was already perpetually in trouble with MGM for acting like he had a mind of his ow—in those days, the movie studios essentially owned all the actors they had under contract, who never questioned the orders they were given— decided to play hooky from Hollywood.  He unexpectedly hopped a plane to New York, and presented himself to Phil Silvers the afternoon of the opening  as the funnyman’s new stooge.

MGM was horrified at first, but Sinatra’s surprise pitching in to help two pals, one living and one departed, was a bonanza of positive publicity – the whole country was buzzing about Silvers and Sinatra at the Copa.  Most of these details are recounted in several biographies of Sinatra, including James Kaplan’s wonderful The Voice.  But, surprisingly, all the written works that we’ve consulted somehow neglected to mention that Julie Wilson was right in the middle of the entire incident.

She remembers it well: “And then, it came the opening night for Phil Silvers, and Rags Ragland died, and Sinatra flew in and didn’t tell anybody–showed up to be his sidekick. Isn’t that nice?   I was there. And Frank said, “C’mon Julie, we’re going to do a song together, the three of us.” So there we were –Phil Silvers, Frank and me as the girl singer.  I still remember the song,…” At this point in our interview, Julie started singing to us: “‘I’ve flown around the world…I can’t get started, with you.’ I was so thrilled I could hardly talk.”

This was hardly the end of Julie’s association with either Silvers or Sinatra: in 1958, she had a highly memorable guest appearance on the Phil Silvers Show, aka You’ll Never Get Rich, aka Sergeant Bilko.  (This will be the subject of a subsequent blog, yes.) Her other, most memorable encounter with Sinatra happened around 1950.  “It was in London I had been in a little eating place, and they had a kid who played piano and wrote songs, Carroll Coates.”  That’s where she heard the songwriter doing what would be his most famous number, “London By Night,” and she started singing it at her own shows.  “I was working in a fancy saloon and Sinatra brought Ava Gardner in to see my show, and they were very nice, and he said, ‘I’d like to get a copy of “London By Night.'”  Of course, Carroll was glad to give it to him!  Sinatra wound up recording that song on three different occasions in 1950, 1957, and 1962 – one of the few songs to earn that honor, and to this day it’s Carroll’s best-known work.

Julie stresses that the whole Copa incident was typical of Sinatra.  “He was kind. Sinatra was a very kind guy. You know, he’d show up when people were in need. He was a very nice guy. So I felt very lucky—yeah, I got to do that one song with him.”

 

You can read more stories in my books Playboy Swings and The Persian Room Presents

 


 

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